For this, I found myself examining the work of Bots. I have to say that it was a completely differently experience from the rest of the other pieces I examined and read in the past for this class. In the very least, I found the project to be enlightening and very artistically interesting.
The first thing that caught my interest was of how powerful the engine of twitter is today, and how it even works around this genre of literature known as electronic literature. I never thought or even imagined that Twitter was being used in such ways, and this caught me by surprise. But then again, I guess I could’ve seen it coming, since today this engine or platform serves as another way of communication with its distinctive features. And this being the case, you do have some short of literature that emerges from it, intentionally or unintentionally. This is specially the case with the various professional organization that are joined with Twitter, and share literary writing with this it as a way to reach their audience.
Another thing I found interesting from this project was of how the idea of Twitter being linked with various types of resources (bots), artistically engage the readers with language in different ways. Because Twitter serves almost as an engine of communication with very little limitations of how groups can communicate in it, you have a large selection of resources at your disposal. This of course means more variety of language and literature itself. A good example is found in this project, with how there are eleven bots that serve as resources: @Everyword (twittered every word in the English language. Task began in 2007 and completed in 2014.), @Poem.exe (a micropoetry bot, assembling haiku-like poems throughout the day and publishing them on Twitter ), @Pentametron (shared projects with crowdsourced poetry), @RealHumanPraise (draws snippets of positive reviews from Rotten Tomatoes), and the rest of distinctive bots.
I’m glad I the chance to learn about this E-lit project, as I was able to further open my mind and understanding of how this genre of literature works, and the many possibilities and spaces in which it can exist. Now, I am left, thinking that just as it worked with Twitter, there’s a high possibility it is also working the same way in other electronic and digital spaces on the web, such as platforms, websites, and engines.